Tracey Emin – DRAWINGS

REVERSABLE (2012)
gouache on paper 40 x 54″

“IT SOUNDS SIMPLE, but when I was young, I used to draw myself in the mirror. There was an immediate intimacy, a closeness that was visually touching when drawing from the reflection. Other times, I would just draw myself from my mind. But I’ve gone from being a girl to an old woman really fast. The middleman never existed for me. When you have children, you can identify your life in stages by viewing them outside of you. I never had that. In these new drawings, there’s this space. Photographs are first taken of me, then I draw what’s in them. When I’m being photographed, I try to feel how I want the drawing to look. I kept seeing myself in chairs, but from a long way above or on furniture or alone at a table. So they’re from the outside. I’m looking back at myself. I’m outside, looking back in.

Have you ever had a dream where the dream takes place in the room that you’re actually in? Last night, I dreamt that I was sitting at a table opposite my mum and someone else, though I didn’t know who that person was. They didn’t really have a face. My mum looked the same but a lot younger and she was telling me how great this new friend was. They had even gone and had fillers and Botox together. My mum is eighty-five, so it’s quite strange for anyone of that age to have had these things done. But she looked quite good. And then the phone rang in real life and it was her.

Men don’t look at me anymore. They don’t look at me sexually. My body is like a barrel and it’s on two spindly things. On top of the barrel is a kind of mop. And I really hate my breasts. It would be so easy for me to be with women. Women find me really attractive. And of course I find some of them attractive, but in the end I want a really hard fuck. I’m looking to get what I want. I might meet a woman some day and fall in love and it works. But I doubt it, because after a certain amount of time I’ll probably start staring at men’s crotches. It would have been different if I was married or had a partner to grow old with. But if you don’t, and you’ve been alone for a long time, the only person looking at you is yourself in that mirror.”

 SHE KEPT CRYING (2012)
gouache on paper  8.27 x 11.65″

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